Hello Friends of BBWF
The AGM for the Batemans Bay Writers Festival will be held on Wednesday 12 June 2019 at 5.00 pm at South Coast Colleges (Adult Education) Batemans Bay. Underleaf is the official Notice of AGM.
Committee members who presently hold the positions of President, Secretary and Treasurer have indicated that they will be standing down.
Our constitution requires a minimum committee of seven members. Unless we fill these positions it will leave the organisation in a position of not being able to function under provisions of the NSW Fair Trading Act.
Those of you who have attended the three previous festivals will know how wonderful they were to experience and how much enjoyment they brought to locals and visitors.
BBWF held one function in 2018 and through its success, we know there is considerable interest in holding further events and festivals but we must have a committee and volunteers to implement them.
If you have time and ideas, you can assist with presenting future events.
We do hope you will show your support by attending the AGM, or by expressing your interest by email to president@batemansbaywritersfestival.com.
Your committee would love to see this wonderful community resource continue to flourish in Batemans Bay.
Marion Roubos-Bennett
President

Notice of Batemans Bay Writers Festival AGM 2019

Notice is hereby given that the fifth AGM of the Batemans Bay Writers Festival Inc will be held at South Coast Colleges (Adult Education), 42 Orient Street, Batemans Bay on
WEDNESDAY, 12 JUNE 2019 commencing at 5.00 pm.

BUSINESS

To receive from the Committee a report on the activities of the Society in the year ended 31 January 2019
To receive and consider the Financial Statement required to be submitted to members pursuant to Section 26(6) of the Associations Incorporation Act 1984
To elect office-bearers and ordinary members of the Committee: President/Festival Director, Vice President, Secretary, Treasurer, Committee Members and Public Officer.
General Business:
To decide the signatories for the Society’s Annual Return to the Department of Fair Trading

By order of the Committee
Julie Stuart (Secretary)
Date: 23 May 2019
Note. Nominations of candidates for election as office-bearers or as ordinary members of the Committee (seven persons) of the Society must be made in writing, be signed by two members of the Society, be accompanied by the candidate’s written consent (which may be endorsed on the nomination form) and be delivered to the Secretary (by hand or at PO Box 333, Batemans Bay NSW 2536) not less than seven days before the date fixed for the Annual General Meeting. If the number of candidates for appointment exceeds the number of vacancies to be filled, a ballot for that appointment will be held at the above meeting.
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NOMINATION FOR ELECTION TO THE COMMITTEE OF THE BATEMANS BAY WRITERS FESTIVAL INC.

We, the undersigned, being members of the Batemans Bay Writers Festival Inc. hereby nominate
_ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _(full name) as a candidate for election as
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _(state whether as office-bearer, and if so which,
or as ordinary member) at the Annual General Meeting of the Society to be held on 12/6/2019.

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Proposer _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Seconder

Consent of candidate _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Date _ _ _ _ _ _ _ _ _ _ _ _ _ _

FUNDRAISER – WED 19 SEPTEMBER 2018


Where were you when man landed on the moon in 1969?

JoAnn-ShuttleCrop

JoAnn Morgan, a US Space Flight Program trailblazer was in the Firing Room at NASA – the only woman – and she has a story to tell..

JoAnn is coming to Batemans Bay – for one appearance only – all proceeds to Batemans Bay Writers Festival.

A Conversation with JoAnn Morgan and Nikki Cooper will be held

WEDNESDAY 19 SEPTEMBER AT 5.00 PM (Doors open 4.30 pm)
at BATEMANS BAY SOLDIERS CLUB, 6 Beach Road, Batemans Bay

HOW TO BOOK:
Online:  Adults $20 – school children free – https://www.trybooking.com/418887 or register by leaving your name and number of guests on 44725097 and bring $20 cash per person to the door.  Bookings by 18 September please.

Enquiries:  Julie Stuart 0438 590 505 or Nikki Cooper 0414 638 552

Festival 2016 Opening Event Highlights

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Festival Director Marion Roubos-Bennett welcomes guests to the opening of Festival 2016.

The opening was held in the Festival Hub Marquee.

 

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Tim Fischer AC gives the opening address, Tango in Travel and Travel Writing: Bhutan to Batemans Bay!

 

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Opening address is followed by a fun debate, Pictures Speak Louder than Words. Moderated by Paul Brunton OAM.

 

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Festival-goers enjoy the opening event

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And vote for the winning team in the debate.

 

 

Five Minutes with Annabel Morley

Five Minutes with Annabel Morley

https://bbwfblog.files.wordpress.com/2016/09/annabel-morley1.jpegAnnabel Morley
Annabel Morley has a rich and fascinating heritage. Her father was the renowned British actor Robert Morley CBE, her grandmother the society beauty Dame Gladys Cooper. She counts actor Joanna Lumley (The New Avengers, Absolutely Fabulous)  as a cousin and as a child enjoyed the company of such iconic stars as Vivien Leigh, Laurence Olivier and Spencer Tracey.

Annabel’s recount of a childhood growing up in the English countryside, almost seems as if it has been ripped from quintessential English novels.  She now calls Australia home and we are delighted that Annabel will be joining us for the 2016 Batemans Bay Writers Festival to talk about food, the arts and her memoir about that amazing childhood, The Icing on the Cake.

Your memoir, The Icing on the Cake, is a fascinating insight into a life that seems straight out of fiction. What prompted you to put pen to paper?

I was first prompted by a low impulse – my elder brother Sheridan (who died in 2007) was a prolific writer (26 books about the theatre, plus14 books he edited and 4 stage shows) and when my father died in 1992, Sherry took over the telling of the family stories. But the problem was he would get them slightly wrong, if it was a joke of my father’s the punch line would be changed (and not for the better). I thought: I want to tell those stories – and get them right.

The other trigger was my mother’s death and the selling and dismantling of the family house. The book was a thank you letter to my parents, my father was so wonderfully buoyant and never really seemed old so I wasn’t prepared for him to die, with my mother it was a long, gentle decline and I did write her a letter telling her how wonderful she had been as a mother.

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I started writing the book about 5 years before it was published (in 2008) and every Christmas I would self-publish a section and sell it through our theatre groups and the response was very positive but there were several pitfalls – one was how long is a book (or a piece of string)? What in a life do you include or exclude? How to structure it?  Will the combination of memoir and recipes work? And will anybody ‘get’ it ?

By chance I met Jane Curry (who published Icing) and I had the little booklets and so I could say: this is it in embryo. And she being English and from a similar background to me (but much younger) ‘got’ it. So when she agreed to publish it, I had about half written it and I wrote the rest very quickly. The most difficult part to write was Big Brother, Little Brother.

In contrast, the section on my mother’s funeral Funeral Blues I wrote very quickly and easily. I tried it out at a library talk I gave (before the book was finished) and a man came up to me and said “Well, we certainly know a lot about you and your family now” and the inference was: Rather too much !

And I could hear my mother saying “Really, darling !” in the way she did when she thought one of us had gone a bit too far but I think she would have loved the book and I think my Pa would have been very proud – he wanted me to be a writer. (Sorry I took so long, Pa)

Food is central to your life. You love entertaining family and friends. I’m coming over for lunch on Sunday. What are we likely to be feasting upon.

As I write this I have half an eye on the clock, neighbours for supper. What are we having?

Anti pasto which we will eat on our laps – hummus and taramaslata, some Manchengo cheese and marinated artichokes, figs and dried pears, Aldi’s cheese biscuits. Then orange and oregano roast chicken with olive and fetta relish served with little potatoes roasted in olive oil and watercress salad. Crème caramel covered with sliced strawberries for pud.

Last dinner party ― I think I am one of the last people who still has dinner parties ― was Italian Wedding Soup (Recipe in Volume II), my fish pie (recipe in Icing) and an olive oil and chocolate cake for pud.

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Your father was the renowned actor Robert Morley CBE. You were an actress yourself. The theatre is still important to you but why should it matter to us? What draws people to your tours?

I have a confession to make – most of the time I would rather see a film than a play. In a bad film, there is always something to look at. Perversely, in the theatre I still feel that thrill when the house lights go down and the stage lights come up (once it was a curtain rising – very rare these days.) But oh ! The sense of growing horror if it’s going to be a dud night in the theatre. And I’m spoilt – I’ve seen the best. So I leave at the interval if I’m not enjoying myself – I have never walked out mid performance –although I was in a play when the audience did that, and asked for their money back.

But what draws people to the theatre in our groups I think is that compact that you enter into as an audience member in a theatre. The cinema says: this is real (although of course, it isn’t. )The playwright says:  all aboard the train, we applaud at the same time, laugh, weep, shudder – this disparate group of people becomes one entity. Extraordinary! And to think people have been doing this since the Greeks went to see plays about their gods; when I go to the Globe in London and sit as the dusk falls and think, people have been listening to these words of Shakespeare’s here or very near here for 400 years….well, it’s incredible. It’s story-telling.

(Also in our groups, we organise the tickets, we all go together, to matinees and Charlie, my husband, is so amazing that if you are hard of hearing he puts you down the front and if you have a gippy knee he puts you where there aren’t any stairs and if you are claustrophobic, you are on the end of a row. And we tell you about the play before we see it and we might have one of the cast or the director to tell us about the production and we discuss it afterwards.)

What unexpected delights did publishing The Icing on the Cake deliver? Did old friends reappear or new ones made?

The biggest thrill when I wrote Icing ( apart from a great friend here in Australia and another great friend in London ‘launching’ it at two fabulous parties) was such a sweet note from Anna Volska (John Bell’s wife) congratulating me, also walking past an unknown man in Bondi Junction who just said out of the corner of his mouth “Great  book”. A dear friend of mine who I have known since I was sixteen saying it made him cry. Because he knew all the cast and misses them as I do.

We are so looking forward to welcoming you to the 2016 Batemans Bay Writers Festival. What are you plans whilst you’re with us next weekend?

I’ve never been to Bateman’s Bay. I love seaside places. I love being away for the weekend and not having to shop or cook or wash up and I love talking about myself, plus I’m always fascinated to meet the other writers at Literary events and the audience.

You can meet Annabel at the following events:

Saturday September 10 9am to 10pm

Lifestyles

What place does food play in our lives? Think beyond sustenance and nourishment with three authors for whom food is central to their existence. With Annabel Morley, chef James Viles and food photographer Simon Griffiths. Facilitated by Nick Rheinberger.

Saturday September 10 11.45 am to 12.45 pm

State of the Arts

Geoff Cousins, Annabel Morley and Sarah Rice have a wealth of experience in the arts sector. They explore how the arts can remain a vital and relevant expression of our many identities.

Sunday September 11 9.30am to 10.30am

Memoir—Telling True Stories

Although regarded as non fiction, memoir can easily merge with fiction. How does a writer distinguish memory from fact or determine truths long buried with their teller? Three authors, Annabel Morley, Deb Hunt and Rod Jones, discuss the telling of family tales and the process of discovering the emotional truths of their stories. Facilitated by Meredith Jaffé.